L’ILE OPHELIE

Gérard Le Nalbaut’s works demonstrate a solid pictorial will that results in a learnedly orchestrated style.

Each painting is conceived and constructes drom precise criteria that the painter imposes on himself and that allow him all the creative impulses that may crop up during the production.

These initial choices determine a colourful of the painted canvas interpel and recreate each other, masterfully avoideing, what could easely amount to monotonous juxtaposition. The rigor of the architectural structre of his characters is unimpeachable.

What appear to be constraints fall to lock him into impotence ; on the contrary, they propel him toward a lyriscism equalled only by the fre