Size | 56×76 cm |
---|---|
Material | Rives |
Technique | Photo-engraving, aquatint |
Signature | yes, in pencil |
fraiming | unframed artwork |
Format | Big |
GRAND BOIS 3
DENNING
500,00€
Aquatinte et Photogravure originale signée Ken DENNING
Peintre de paysages, son inspiration vient de sa connaissance des vastes massifs rocheux des îles Féroé et de l’Islande
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Aquatinte et Photogravure originale signée Ken DENNING
Ken Denning, artiste danois né en 1957 à Sànderborg.
En tant qu’artiste, Ken Denning a toujours été préoccupé par le paysage, qu’il a constamment interprété à travers diverses expressions artistiques.
Le peintre, dessinateur, photographe et graphiste danois Ken Denning est né en 1957 à Sonderborg au Danemark. Il suivra une formation au dessin et aux diverses techniques graphiques à la Funen Art Academy d’Odense dans les années 80.
Peintre de paysages aujourd’hui reconnu, son inspiration vient de toute évidence de sa connaissance des vastes massifs rocheux des îles Féroé et de l’Islande ou de formes de paysages
The Danish painter, draftsman, photographer and graphic designer Ken Denning was born in 1957 in Sonderborg, Denmark. He trained in drawing and various graphic techniques at the Funen Art Academy in Odense in the 1980s.
A landscape painter now recognized, his inspiration obviously comes from his knowledge of the vast rocky massifs of the Faroe Islands and Iceland or from landscape
Artworks by the same artist

DENNING
Ken Denning has been preoccupied with landscapes interpreted through different artistic effects.
Since practicing graphics, etching and drawing, the latter became the preferred mode of expression. His series of landscapes have been interpreted through the textual and condensed line of the etching needle. The approach to the organization of the picture surface uses contrast to the open and the closed, organic and the linear and the exploration of shade. The landscape is a sober noticeable form and Ken Denning gives the picture a special insistent present.
In the nineties Ken Denning adopted a more experimental attitude to the graphic expression. Different graphic techniques are often em
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