L’Estampe - galerie d'art & éditeur - MEMBRE DE LA CHAMBRE SYNDICALE DE L'ESTAMPE DU DESSIN ET DU TABLEAU
Estampes & peintures originales
Membre de la chambre syndicale de l'estampe, du dessin et du tableau
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- ADAMI Valerio
- ALLEMAND Guillaume
- ALLIGAND Bernard
- ARROYO Eduardo
- BACH Elvira
- BOGART Bram
- BOZON Christian
- BRISSON Pierre-Marie
- CLAUZEL Jacques
- COMBAS Robert
- CORNEILLE Guillaume
- DALE Roger
- DE BIASI Pierre-Marc
- DI ROSA Hervé
- ERRÓ
- HASEGAWA Shoichi
- HOHLER Christophe
- HUMAIR Daniel
- KLASEN Peter
- LIOT Eric
- MONADÉ Vinça
- MUCKENSTURM Pierre
- SOULIÉ Tony
- SPEEDY GRAPHITO
- UNGERER Tomi
- VILLEGLÉ Jacques
- WAYDELICH Raymond Emile
- WEISBUCH Claude
All Artists
- ADAMI Valerio
- ALLEMAND Guillaume
- ALLIGAND Bernard
- ALLIRAND Renaud
- ANDLAUER
- ARNAL André Pierre
- ARROYO Eduardo
- ARTAUD Gilbert
- AULLAS Arne
- AYUSO Alfonso
- BACH Elvira
- BAILLY-MAITRE-GRAND Patrick
More ...
- BALL Rolf
- BARLIER André
- BELGEONNE Gabriel
- BOGART Bram
- BOISSEL Mahé
- BONCOMPAIN Pierre
- BOSSER Jacques
- BOZON Christian
- BRAUN Michel
- BRICKA André
- BRIELS Clemens
- BRISSON Pierre-Marie
- BRUETSCHY François
- BUCCIALI Alma
- CAÏRO Christophe
- CANINI Sylviane
- CHASSERIAU Joël
- CHEVALIER MIGUEL
- CHICA
- CLAUZEL Jacques
- CLEMENT Alain
- COIGNARD James
- COMBAS Robert
- COPPEY Caroline
- CORNEILLE Guillaume
- CORNU Michel
- DALE Roger
- DALOZ Marie-Jo
- DAVRINCHE Gael
- DE BIASI Pierre-Marc
- DEFOSSEZ Alfred
- DENNING Ken
- DEPERTHES Jacques
- DEPOUTOT Daniel
- DESMET Cyril
- DI ROSA Hervé
- DUCORROY Joël
- ENGEL Nissan
- ENGELMANN Marie-Pascale
- ERRÓ
- FALAIZE Ann
- FELTEN Marc
- FRANGI Giovanni
- GAMBLE Daphné
- GANGLOFF Pierre
- GANTNER Bernard
- GARNESSON Laurence
- GAVEAU Claude
- GORODINE Alexis
- GRAVURES ANCIENNES
- GROSAJT
- GUIBAL Henri
- GUINY Jean-Marie
- GUIONNET Jean-Luc
- GUIRAMAND
- GUTH Didier
- HASEGAWA Shoichi
- HAYDEN
- HÉLÉNON Serge
- HILAIRE Camille
- HIRSCHMILLER-REINHARD Margreth
- HOFFMANN Godwin
- HOHLER Christophe
- HOMMES Helge
- HUMAIR Daniel
- JOUENNE
- JOUHET Christian
- JULLY Denis
- KAMINSKI Max Gerd
- KISSMER Willy
- KIVINEN Tiina
- KLASEN Peter
- KLEINMANN Alain
- LE NALBAUT Gérard
- LEICK Joël
- LIMERAT Francis
- LIOT Eric
- LITZLER Patrick
- LORANT
- LOSTE Patrick
- LOU G
- LOUBERT Ann
- LUCCIA Angelo
- LUX Kim
- MAIR Kurt
- MALÄR Andrea
- MERZ Albert
- MEYER Christophe
- MEYER PETERSEN Hans
- MINJUNG KIM
- MOLDO Marie-Gaëlle
- MONADÉ Vinça
- MOREL Olivier
- MORIETTE Olivier
- MOULY Marcel
- MUCKENSTURM Pierre
- MUHL
- NOEL Martin
- PALMA Albert
- PICARD Jean-Marie
- PICASSO Pablo
- PIENTA
- POLLET Christophe
- QUESNIAUX Bernard
- QUILICI Jean-Claude
- REMLINGER Jean
- RIPOLLES Juan Garcia
- RIVILLON Sylvie
- ROESZ Germain
- SAKAMOTO Ney
- SARRAZIN
- SCHKOLNYK Laurent
- SEGUI Antonio
- SEYEDIN Marjan
- SHIRAISHI Mitsuo
- SOULIÉ Tony
- SPEEDY GRAPHITO
- STEFFAN Dan
- STRUBEL Dominique-Paul
- TANGUY Jean-Pierre
- THOMAS Ghislaine
- TITUS CARMEL Gérard
- TOBIASSE Théo
- TSUZAWA Kaoru
- TURMEL Jean-Paul
- TYSON Matthew
- ULRICH Kjeld
- UNGERER Tomi
- VALADIE Jean-Baptiste
- VERCRUYCE Bernard
- VILLEGLÉ Jacques
- VIVIN
- VOTTELER Jutta
- VRIJS Anke
- VUJNOVIC Mihaela
- WAYDELICH Raymond Emile
- WEIL François
- WEISBUCH Claude
- ZAROU Victor
- ZHOU HAO
- ZIANI Hocine
- ZIEGENTHALER Martina
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Biographie de TITUS CARMEL Gérard
Gérard TITUS-CARMEL
Gérard Titus-Carmel is born in Paris in 1942. He soon takes an interest in modern art and, from 1958 to 1962, trains at the Boulle School, technical school of furniture and decoration; he gets initiated to drawing and printmaking. Titus-Carmel long works with Antonio Segui and Vladimir Velickovic in a joint workshop in Arcueil. The artist, at that time, widely uses in his creation a humour of the object of "kitsch", a source of inspiration that makes his works both so unusual and enigmatic.
Designer of a high precision, working in successive series, Titus-Carmel uses a special way to express the design. Since 1964, often representing France, Titus-Carmel participates in numerous international group exhibitions in France and abroad (Paris Biennale, Salons of Elder and Youth of Today, Salon of Mai, Interferences, Expo Osaka in 1982, etc.) He shows regularly, since 1967, his work in nearly 200 solo exhibitions (in France, in Paris especially, but also in Tokyo, New York, etc.). Titus-Carmel participates in the largest international exhibitions of engraving (Ljubljana, Krakow, Tokyo, Vienna, Grenchen, Biella, Bradford, Baden-Baden, Prague) and numerous prizes are granted to him.
The artist in the early 70s, examines the evolution of the deterioration of the object; the active or mental participation of the viewer, element which always characterizes the production of the artist, is already at that time largely sought. Titus Carmel continues to play a more active role in the mainstream of conceptual art and, more specifically, within the movement "Land Art", since working on the definition of "places". He explores the space between the object and his imitation. In a style of abstract tendency, Titus-Carmel returns to painting in the mid 80s.
From his first exhibitions, in the sixties, his work painted or drawn, like his graphic work (lithographs, etchings, screen prints), reveals a strong taste for literature. He illustrates poets like Jacques Dupin and Philippe Jaccottet, before giving his own collections of poems; he has published so far about forty books, essays and collections of poetry. In 1992, Titus-Carmel publishes reflections on painting ("She still moves..." Ed Actes Sud).
His work is represented in hundreds of museums and public collections. The artist has also produced a monumental work (Ministry of Finance in Paris, DRAC Champagne-Ardenne, the Palais des Congrès in Nantes, etc.).
Gérard Titus-Carmel is all together painter, printmaker, draughtsman, creator of environments.
Important Exhibitions
la Biennale de Paris (1969)
Expo ’70 (Osaka, 1970)
la Biennale d’Alexandrie (1972)
« Amsterdam-Paris-Düsseldorf » (Guggenheim Museum, New York, 1972)
Dokumenta VI (Cassel, 1977)
European Dialogue (Biennale de Sidney, 1979)
Biennale Internationale d’Arte (Venise, 1972 et 1984)
« Art en France : un siècle d’inventions » (Moscou, Leningrad, 1989)
« Art contemporain en France » (Exposition universelle de Séville, 1992)
Suite Grünewald (Collège des Bernardins, Paris, 2009)