L’Estampe - galerie d'art & éditeur - MEMBRE DE LA CHAMBRE SYNDICALE DE L'ESTAMPE DU DESSIN ET DU TABLEAU
Estampes & peintures originales
Membre de la chambre syndicale de l'estampe, du dessin et du tableau
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- ADAMI Valerio
- ALLIGAND Bernard
- ARROYO Eduardo
- BACH Elvira
- BOZON Christian
- BRISSON Pierre-Marie
- CLAUZEL Jacques
- COMBAS Robert
- CORNEILLE Guillaume
- DALE Roger
- DE BIASI Pierre-Marc
- DI ROSA Hervé
- ERRÓ
- HASEGAWA Shoichi
- HOHLER Christophe
- HUMAIR Daniel
- KLASEN Peter
- LIOT Eric
- MAIR Kurt
- MUCKENSTURM Pierre
- SOULIÉ Tony
- SPEEDY GRAPHITO
- UNGERER Tomi
- VILLEGLÉ Jacques
- WAYDELICH Raymond Emile
- WEISBUCH Claude
All Artists
- ADAMI Valerio
- ALLEMAND Guillaume
- ALLIGAND Bernard
- ALLIRAND Renaud
- ANDLAUER
- ARNAL André Pierre
- ARROYO Eduardo
- ARTAUD Gilbert
- AULLAS Arne
- AYUSO Alfonso
- BACH Elvira
- BAILLY-MAITRE-GRAND Patrick
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- BALL Rolf
- BARLIER André
- BELGEONNE Gabriel
- BOGART Bram
- BOISSEL Mahé
- BONCOMPAIN Pierre
- BOSSER Jacques
- BOZON Christian
- BRAUN Michel
- BRICKA André
- BRIELS Clemens
- BRISSON Pierre-Marie
- BRUETSCHY François
- BUCCIALI Alma
- CAÏRO Christophe
- CANINI Sylviane
- CHASSERIAU Joël
- CHEVALIER MIGUEL
- CHICA
- CLAUZEL Jacques
- CLEMENT Alain
- COIGNARD James
- COMBAS Robert
- COPPEY Caroline
- CORNEILLE Guillaume
- CORNU Michel
- DALE Roger
- DALOZ Marie-Jo
- DAVRINCHE Gael
- DE BIASI Pierre-Marc
- DEFOSSEZ Alfred
- DENNING Ken
- DEPERTHES Jacques
- DEPOUTOT Daniel
- DESMET Cyril
- DI ROSA Hervé
- DUCORROY Joël
- ENGEL Nissan
- ENGELMANN Marie-Pascale
- ERRÓ
- FALAIZE Ann
- FELTEN Marc
- FRANGI Giovanni
- GAMBLE Daphné
- GANGLOFF Pierre
- GANTNER Bernard
- GARNESSON Laurence
- GAVEAU Claude
- GORODINE Alexis
- GRAVURES ANCIENNES
- GROSAJT
- GUIBAL Henri
- GUINY Jean-Marie
- GUIONNET Jean-Luc
- GUIRAMAND
- GUTH Didier
- HASEGAWA Shoichi
- HAYDEN
- HÉLÉNON Serge
- HILAIRE Camille
- HIRSCHMILLER-REINHARD Margreth
- HOFFMANN Godwin
- HOHLER Christophe
- HOMMES Helge
- HUMAIR Daniel
- JOUENNE
- JOUHET Christian
- JULLY Denis
- KAMINSKI Max Gerd
- KISSMER Willy
- KIVINEN Tiina
- KLASEN Peter
- KLEINMANN Alain
- LE NALBAUT Gérard
- LEICK Joël
- LIMERAT Francis
- LIOT Eric
- LITZLER Patrick
- LORANT
- LOSTE Patrick
- LOU G
- LOUBERT Ann
- LUCCIA Angelo
- LUX Kim
- MAIR Kurt
- MALÄR Andrea
- MERZ Albert
- MEYER Christophe
- MEYER PETERSEN Hans
- MIN KIM JUNG
- MOLDO Marie-Gaëlle
- MONADÉ Vinça
- MOREL Olivier
- MORIETTE Olivier
- MOULY Marcel
- MUCKENSTURM Pierre
- MUHL
- NOEL Martin
- PALMA Albert
- PICARD Jean-Marie
- PICASSO Pablo
- PIENTA
- POLLET Christophe
- QUESNIAUX Bernard
- QUILICI Jean-Claude
- REMLINGER Jean
- RIPOLLES Juan Garcia
- RIVILLON Sylvie
- ROESZ Germain
- SAKAMOTO Ney
- SARRAZIN
- SCHKOLNYK Laurent
- SEGUI Antonio
- SEYEDIN Marjan
- SHIRAISHI Mitsuo
- SOULIÉ Tony
- SPEEDY GRAPHITO
- STEFFAN Dan
- STRUBEL Dominique-Paul
- TANGUY Jean-Pierre
- THOMAS Ghislaine
- TITUS CARMEL Gérard
- TOBIASSE Théo
- TSUZAWA Kaoru
- TURMEL Jean-Paul
- TYSON Matthew
- ULRICH Kjeld
- UNGERER Tomi
- VALADIE Jean-Baptiste
- VERCRUYCE Bernard
- VILLEGLÉ Jacques
- VIVIN
- VOTTELER Jutta
- VRIJS Anke
- VUJNOVIC Mihaela
- WAYDELICH Raymond Emile
- WEIL François
- WEISBUCH Claude
- ZAROU Victor
- ZHOU HAO
- ZIANI Hocine
- ZIEGENTHALER Martina
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Biographie de WEISBUCH Claude
"I like the sketch, the uncompleted, the painting filled with mystery."
Born in February 1927 Born in Thionville, France, in 1927, died in Paris 13 April 2014. Weisbuch is of French and Romanian origins. He studied at the Ecole des Beaux-Arts (School of Fine Arts) in Nancy, and taught engraving in the Ecole des Beaux-Arts of St. Etienne.
Weisbuch has never stopped painting since he first took up the profession. His first solo exhibition was held in France in 1957 where paintings, drawings and prints were exhibited alongside. As it was a great success, many others were organised in Paris, the United States, and Japan. This series of exhibitions brought Weisbuch much acknowledgement and international fame.
An enthusiast of Vivaldi, Mozart, Debussy, Moliere and Machiavel, theatre and music are his recurrent themes. Whether it is the impassioned violonist, the mercurial actor, or the sitter shrouded with silent intensity, they have all been rendered with Weisbuch's love for drama. The brushstrokes are sweeping and bold while the paint is fluid. In Weisbuch's eyes, their physical attributes become secondary to their states of mind - fear, shock or ecstasy. Colours, when used, are charged with symbolism while tones and lines work hand in hand to evoke an emotive response.
Weisbuch paints to transcend imitation and prefers to leave his works "unfinished" in order to encourage the audience to feel the raw energy of his subjects. However, so successful is he at affecting the emotions that one tends to overlook the masterly control and virtuoso technique beneath the spontaneity of his paintings. A gentle reminder that a true master is one who bridles movement will probably allow us to appreciate Weisbuch's art in its greater plenitude.
Museums collecting Weisbuch's works:
Musee cantonal des Beaux-Arts - Lausanne
Museo provincial de Bellas Artes - Cordoba
Muzej Savremene Umenosti - Belgrade
Bibliotheque nationale - Paris
Centre national d'art contemporain - Paris
Muzeum Sztoki w Lodzi - Lodz
The Art Gallery of South Australia - Adelaide
Muzeum Nardowe - Varsovie
Musee d'art moderne de la Ville de Paris
Muzeum Nardowe - Cracovie
Muzej na Sovremena Umetnost - Skopje
The Museum of Modern Art - New York
Musee national d'art moderne - Paris
Centre Georges-Pompidou - Paris
Stedelijk Museum - Amsterdam
Staatliche Graphische Sammlung - Munich
Staatsgalerie - Stuttgart
Goteborgs Kunstmusseum - Goteborg
Musee de Rennes
Cabinet des Estampes - Strasbourg
Musee de Mulhouse
Academie royale - Bruxelles