L’Estampe - galerie d'art & éditeur - MEMBRE DE LA CHAMBRE SYNDICALE DE L'ESTAMPE DU DESSIN ET DU TABLEAU
Estampes & peintures originales
Membre de la chambre syndicale de l'estampe, du dessin et du tableau
Our editions and more
- ADAMI Valerio
- ALLIGAND Bernard
- ARROYO Eduardo
- BACH Elvira
- BOZON Christian
- BRISSON Pierre-Marie
- CLAUZEL Jacques
- COMBAS Robert
- CORNEILLE Guillaume
- DALE Roger
- DE BIASI Pierre-Marc
- DI ROSA Hervé
- ERRÓ
- HASEGAWA Shoichi
- HOHLER Christophe
- HUMAIR Daniel
- KLASEN Peter
- LIOT Eric
- MAIR Kurt
- MUCKENSTURM Pierre
- SOULIÉ Tony
- SPEEDY GRAPHITO
- UNGERER Tomi
- VILLEGLÉ Jacques
- WAYDELICH Raymond Emile
- WEISBUCH Claude
All Artists
- ADAMI Valerio
- ALLEMAND Guillaume
- ALLIGAND Bernard
- ALLIRAND Renaud
- ANDLAUER
- ARNAL André Pierre
- ARROYO Eduardo
- ARTAUD Gilbert
- AULLAS Arne
- AYUSO Alfonso
- BACH Elvira
- BAILLY-MAITRE-GRAND Patrick
More ...
- BALL Rolf
- BARLIER André
- BELGEONNE Gabriel
- BOGART Bram
- BOISSEL Mahé
- BONCOMPAIN Pierre
- BOSSER Jacques
- BOZON Christian
- BRAUN Michel
- BRICKA André
- BRIELS Clemens
- BRISSON Pierre-Marie
- BRUETSCHY François
- BUCCIALI Alma
- CAÏRO Christophe
- CANINI Sylviane
- CHASSERIAU Joël
- CHEVALIER MIGUEL
- CHICA
- CLAUZEL Jacques
- CLEMENT Alain
- COIGNARD James
- COMBAS Robert
- COPPEY Caroline
- CORNEILLE Guillaume
- CORNU Michel
- DALE Roger
- DALOZ Marie-Jo
- DAVRINCHE Gael
- DE BIASI Pierre-Marc
- DEFOSSEZ Alfred
- DENNING Ken
- DEPERTHES Jacques
- DEPOUTOT Daniel
- DESMET Cyril
- DI ROSA Hervé
- DUCORROY Joël
- ENGEL Nissan
- ENGELMANN Marie-Pascale
- ERRÓ
- FALAIZE Ann
- FELTEN Marc
- FRANGI Giovanni
- GAMBLE Daphné
- GANGLOFF Pierre
- GANTNER Bernard
- GARNESSON Laurence
- GAVEAU Claude
- GORODINE Alexis
- GRAVURES ANCIENNES
- GROSAJT
- GUIBAL Henri
- GUINY Jean-Marie
- GUIONNET Jean-Luc
- GUIRAMAND
- GUTH Didier
- HASEGAWA Shoichi
- HAYDEN
- HÉLÉNON Serge
- HILAIRE Camille
- HIRSCHMILLER-REINHARD Margreth
- HOFFMANN Godwin
- HOHLER Christophe
- HOMMES Helge
- HUMAIR Daniel
- JOUENNE
- JOUHET Christian
- JULLY Denis
- KAMINSKI Max Gerd
- KISSMER Willy
- KIVINEN Tiina
- KLASEN Peter
- KLEINMANN Alain
- LE NALBAUT Gérard
- LEICK Joël
- LIMERAT Francis
- LIOT Eric
- LITZLER Patrick
- LORANT
- LOSTE Patrick
- LOU G
- LOUBERT Ann
- LUCCIA Angelo
- LUX Kim
- MAIR Kurt
- MALÄR Andrea
- MERZ Albert
- MEYER Christophe
- MEYER PETERSEN Hans
- MIN KIM JUNG
- MOLDO Marie-Gaëlle
- MONADÉ Vinça
- MOREL Olivier
- MORIETTE Olivier
- MOULY Marcel
- MUCKENSTURM Pierre
- MUHL
- NOEL Martin
- PALMA Albert
- PICARD Jean-Marie
- PICASSO Pablo
- PIENTA
- POLLET Christophe
- QUESNIAUX Bernard
- QUILICI Jean-Claude
- REMLINGER Jean
- RIPOLLES Juan Garcia
- RIVILLON Sylvie
- ROESZ Germain
- SAKAMOTO Ney
- SARRAZIN
- SCHKOLNYK Laurent
- SEGUI Antonio
- SEYEDIN Marjan
- SHIRAISHI Mitsuo
- SOULIÉ Tony
- SPEEDY GRAPHITO
- STEFFAN Dan
- STRUBEL Dominique-Paul
- TANGUY Jean-Pierre
- THOMAS Ghislaine
- TITUS CARMEL Gérard
- TOBIASSE Théo
- TSUZAWA Kaoru
- TURMEL Jean-Paul
- TYSON Matthew
- ULRICH Kjeld
- UNGERER Tomi
- VALADIE Jean-Baptiste
- VERCRUYCE Bernard
- VILLEGLÉ Jacques
- VIVIN
- VOTTELER Jutta
- VRIJS Anke
- VUJNOVIC Mihaela
- WAYDELICH Raymond Emile
- WEIL François
- WEISBUCH Claude
- ZAROU Victor
- ZHOU HAO
- ZIANI Hocine
- ZIEGENTHALER Martina
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Biographie de ARROYO Eduardo
Eduardo ARROYO
Eduardo Arroyo (born February 26, 1937) is a Spanish painter and graphic artist. He is also active as an author and set designer.
Arroyo, who was born in Madrid, studied art and journalism in his home city, but left Spain in 1958 because of his basic contempt for the Franco regime. He even lost his Spanish citizenship in 1974 (which he got back two years later, a year after the death of Franco). In Paris, he befriended members of the young art scene, especially Gilles Aillaud, with whom he later collaborated in creating stage sets, but also the old master, Joan Miró. In 1964, he made his breakthrough with his first important exhibition. Over 20 years of great critical success and high esteem on the art market followed. Today, the ideologically and creatively uncompromising artist is as active as he ever was, even if it seems to have become somewhat quieter around his creations.
Stylistically, Arroyo's mostly ironic, colorful works are at the crossroads between the trends of nouvelle figuration or figuration narrative and pop art. A characteristic of his representations is the general absence of spatial depth and the flattening of perspective.
Arroyo also became known to a broad public through his many works as a set designer, as well as partially by his costume designs. In this relation, he has cooperated since 1969 especially with the director Klaus Michael Grüber, who has encouraged him in this activity. Arroyo has created sets for, among others, the Piccolo Teatro in Milan, the Paris Opéra (in 1976, Richard Wagner's Die Walküre), the Schaubühne am Leniner Platz in Berlin and the Salzburger Festspiele (in 1991, Leoš Janáček's Z mrtveho domu).
Arroyo's stage play, Bantam, premiered at the Bayerisches Staatsschauspiel (Residenztheater) in Munich with great success in 1986, with his friend Grüber, as director and Ailland and Antonio Recalcati for sets and costumes.
Public Acquisitions
Centre Georges Pompidou, París, France
Museum of Modern Art, New York City, USA
Museo Reina Sofía, Madrid, Spain
Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
Museo de Bellas Artes de Bilbao, Bilbao, Spain
Caixa Galicia Foundation, Vigo, Spain
Fundació Suñol, Barcelona, Spain
Lille Metropole Musee d'Art Moderne, Villeneuve-d’Ascq, France
Museo Patio Herreriano de Valladolid, Valladolid, Spain
Museu Serralves, Porto, Portugal
National-Galerie, Berlin, Germany
Staats-Galerie Moderner Kunst in München, Germany