L’estampe - Lithographies et Gravures originales-MEMBRE DE LA CHAMBRE SYNDICALE DE L'ESTAMPE DU DESSIN ET DU TABLEAU
Estampes & peintures originales
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- BOGART Bram
- CANINI Sylviane
- CLAUZEL Jacques
- COIGNARD James
- COMBAS Robert
- CORNEILLE Guillaume
- DALE Roger
- DENNING Ken
- GORODINE Alexis
- HASEGAWA Shoichi
- HOFFMANN Godwin
- HOHLER Christophe
- KLASEN Peter
- SEGUI Antonio
- SHIRAISHI Mitsuo
- SOULIÉ Tony
- ULRICH Kjeld
- UNGERER Tomi
- VOTTELER Jutta
- WAYDELICH Raymond Emile
- WEISBUCH Claude
All Artists
- ALLENBACH Jean-Claude
- ALLIGAND Bernard
- ANDLAUER
- ARNAL André Pierre
- ARTAUD Gilbert
- AULLAS Arne
- AYUSO Alfonso
- BABOULENE
- BAILLY-MAITRE-GRAND Patrick
- BALL Rolf
- BAR Alain
- BARDONE
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- BARLIER André
- BELGEONNE Gabriel
- BELLMER Hans
- BOGART Bram
- BONCOMPAIN Pierre
- BONNEFOIT Alain
- BOSSER Jacques
- BOURRIE André
- BRICKA André
- BRIELS Clemens
- BRISSON Pierre-Marie
- BRUETSCHY François
- CAÏRO Christophe
- CANINI Sylviane
- CARZOU Jean
- CHAROY Bernard
- CHASSERIAU Joël
- CHEVALIER MIGUEL
- CHICA
- CLAUZEL Jacques
- CLEMENT Alain
- COIGNARD James
- COMBAS Robert
- COPPEY Caroline
- CORNEILLE Guillaume
- CORNU Michel
- COTTAVOZ André
- DALE Roger
- DEFOSSEZ Alfred
- DELARUE Maryse
- DENNING Ken
- DEPERTHES
- DESMET Cyril
- DOUTRELEAU
- DUCORROY Joël
- ENGEL Nissan
- FALAIZE Ann
- FANCH
- FELTEN Marc
- FRANGI Giovanni
- GANGLOFF Pierre
- GANTNER
- GAVEAU Claude
- GELIS
- GORODINE Alexis
- Gravures Anciennes
- GROSAJT
- GUIBAL Henri
- GUINY Jean-Marie
- GUIONNET Jean-Luc
- GUIRAMAND
- HASEGAWA Shoichi
- HAYDEN
- HILAIRE
- HOFFMANN Godwin
- HOHLER Christophe
- HOMMES Helge
- HUMAIR Daniel
- JOUENNE
- JULLY Denis
- KAMINSKI Max Gerd
- KIM Minjung
- KISSMER Willy
- KLASEN Peter
- KLEINMANN Alain
- LANGLOIS
- LAPORTE
- LE NALBAUT Gérard
- LOSTE Patrick
- LOU G
- LUCCIA Angelo
- LUX Kim
- MAEHARA Shigehito
- MAIR Kurt
- MALÄR Andrea
- MASSON André
- MATHONAT
- MERZ Albert
- MEYER Christophe
- MEYER PETERSEN Hans
- MIRO Juan
- MOLDO Marie-Gaëlle
- MOREL Olivier
- MORIETTE Olivier
- MOULY Marcel
- MUCKENSTURM Pierre
- MUHL
- NOEL Martin
- OLSUFIEV André
- OSANNE
- PALMA Albert
- PICARD Jean-Marie
- PICASSO Pablo
- PIENTA
- POLLET Christophe
- QUESNIAUX Bernard
- QUILICI Jean-Claude
- REMLINGER Jean
- RIBAS Jaume
- RIPOLLES Juan Garcia
- RIVILLON Sylvie
- ROESZ Germain
- SAKAMOTO Ney
- SARRAZIN
- SCHKOLNYK Laurent
- SEGUI Antonio
- SEYEDIN Marjan
- SHIRAISHI Mitsuo
- SOULIÉ Tony
- SPAHN Victor
- STEFFAN Dan
- STRUBEL Dominique-Paul
- TANGUY Jean-Pierre
- TITUS CARMEL Gérard
- TOBIASSE Théo
- TURMEL Jean-Paul
- TYSON Matthew
- ULRICH Kjeld
- UNGERER Tomi
- VALADIE Jean-Baptiste
- VERCRUYCE Bernard
- VIVIN
- VOTTELER Jutta
- VRIJS Anke
- WAYDELICH Raymond Emile
- WEIL François
- WEISBUCH Claude
- ZAROU Victor
- ZHOU HAO
- ZIANI Hocine
- ZIEGENTHALER Martina
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Biographie de CORNEILLE Guillaume

A painter and lithographer, Guillaume Corneille, was born in Liège by Dutch parents in 1922. Corneille irregularly took drawing classes at the academy of fine Arts in Amsterdam during the early 1940’s but was self-taught in painting. His first personal exposition was held in Groningen at the age of 24.
Soon after World War II, Corneille and two other Dutchmen, Appel and Constant, founded the “Experimental group” of the Danish artist Jorn. Together with the Belgians Dotremont and Alechinsky, these two groups served as foundation of the “Cobra Group” which was a concentration of Copenhagen, Bruxells and Amsterdam (Co-Br-A). The critique and the existence of the Cobra group during the following years of its organisation, was very important for Corneille.
In 1950, Corneille participated in the “Dazzling Hands” group in Paris and the May Salon for his first time. from then on, he was regularly represented. in 1950he made a trip to Hoggar which importantly influenced the later development of his work. The numerous canvases recall the mineral world, in which he found sudden awareness of the desert, such as in “paysage aux fossils”, and the triptych of”Rocher blanc”, “Terre brulée”, “La forêt de pierres” etc. Later on Corneille’s participation in collective manifestations multiply and with a few significant exceptions, he becomes tired of them adding up. He visits the U.S.A. in 1958 and is very impressed by New York which inspired a collection of drawings.
The transition between landscape scenery and cities is notable in Corneille’s paintings. The artist found his references better in the popular arts rather than in the cultural heritage of the past. Corneille, like often with the artists deriving from the Cobra group, does not stop the distinction between representation and abstraction.
Since 1995 permanently in Galerie L’Estampe, Strasbourg.
Since 1995, L’Estampe was the publisher of Corneille's aquagravures.
In 2002 L’Estampe organizes the exhibition : Corneille : 50 ans d’Estampes.”
L’Estampe was the last publisher of Corneille who died in September 2010.