L’Estampe - galerie d'art & éditeur - MEMBRE DE LA CHAMBRE SYNDICALE DE L'ESTAMPE DU DESSIN ET DU TABLEAU
Estampes & peintures originales
Membre de la chambre syndicale de l'estampe, du dessin et du tableau
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- ADAMI Valerio
- ALLIGAND Bernard
- ARROYO Eduardo
- BACH Elvira
- BOZON Christian
- BRISSON Pierre-Marie
- CLAUZEL Jacques
- COMBAS Robert
- CORNEILLE Guillaume
- DALE Roger
- DE BIASI Pierre-Marc
- DI ROSA Hervé
- ERRÓ
- HASEGAWA Shoichi
- HOHLER Christophe
- HUMAIR Daniel
- KLASEN Peter
- LIOT Eric
- MAIR Kurt
- MUCKENSTURM Pierre
- SOULIÉ Tony
- SPEEDY GRAPHITO
- UNGERER Tomi
- VILLEGLÉ Jacques
- WAYDELICH Raymond Emile
- WEISBUCH Claude
All Artists
- ADAMI Valerio
- ALLEMAND Guillaume
- ALLIGAND Bernard
- ALLIRAND Renaud
- ANDLAUER
- ARNAL André Pierre
- ARROYO Eduardo
- ARTAUD Gilbert
- AULLAS Arne
- AYUSO Alfonso
- BACH Elvira
- BAILLY-MAITRE-GRAND Patrick
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- BALL Rolf
- BARLIER André
- BELGEONNE Gabriel
- BOGART Bram
- BOISSEL Mahé
- BONCOMPAIN Pierre
- BOSSER Jacques
- BOZON Christian
- BRAUN Michel
- BRICKA André
- BRIELS Clemens
- BRISSON Pierre-Marie
- BRUETSCHY François
- BUCCIALI Alma
- CAÏRO Christophe
- CANINI Sylviane
- CHASSERIAU Joël
- CHEVALIER MIGUEL
- CHICA
- CLAUZEL Jacques
- CLEMENT Alain
- COIGNARD James
- COMBAS Robert
- COPPEY Caroline
- CORNEILLE Guillaume
- CORNU Michel
- DALE Roger
- DALOZ Marie-Jo
- DAVRINCHE Gael
- DE BIASI Pierre-Marc
- DEFOSSEZ Alfred
- DENNING Ken
- DEPERTHES Jacques
- DEPOUTOT Daniel
- DESMET Cyril
- DI ROSA Hervé
- DUCORROY Joël
- ENGEL Nissan
- ENGELMANN Marie-Pascale
- ERRÓ
- FALAIZE Ann
- FELTEN Marc
- FRANGI Giovanni
- GAMBLE Daphné
- GANGLOFF Pierre
- GANTNER Bernard
- GARNESSON Laurence
- GAVEAU Claude
- GORODINE Alexis
- GRAVURES ANCIENNES
- GROSAJT
- GUIBAL Henri
- GUINY Jean-Marie
- GUIONNET Jean-Luc
- GUIRAMAND
- GUTH Didier
- HASEGAWA Shoichi
- HAYDEN
- HÉLÉNON Serge
- HILAIRE Camille
- HIRSCHMILLER-REINHARD Margreth
- HOFFMANN Godwin
- HOHLER Christophe
- HOMMES Helge
- HUMAIR Daniel
- JOUENNE
- JOUHET Christian
- JULLY Denis
- KAMINSKI Max Gerd
- KISSMER Willy
- KIVINEN Tiina
- KLASEN Peter
- KLEINMANN Alain
- LE NALBAUT Gérard
- LEICK Joël
- LIMERAT Francis
- LIOT Eric
- LITZLER Patrick
- LORANT
- LOSTE Patrick
- LOU G
- LOUBERT Ann
- LUCCIA Angelo
- LUX Kim
- MAIR Kurt
- MALÄR Andrea
- MERZ Albert
- MEYER Christophe
- MEYER PETERSEN Hans
- MIN KIM JUNG
- MOLDO Marie-Gaëlle
- MONADÉ Vinça
- MOREL Olivier
- MORIETTE Olivier
- MOULY Marcel
- MUCKENSTURM Pierre
- MUHL
- NOEL Martin
- PALMA Albert
- PICARD Jean-Marie
- PICASSO Pablo
- PIENTA
- POLLET Christophe
- QUESNIAUX Bernard
- QUILICI Jean-Claude
- REMLINGER Jean
- RIPOLLES Juan Garcia
- RIVILLON Sylvie
- ROESZ Germain
- SAKAMOTO Ney
- SARRAZIN
- SCHKOLNYK Laurent
- SEGUI Antonio
- SEYEDIN Marjan
- SHIRAISHI Mitsuo
- SOULIÉ Tony
- SPEEDY GRAPHITO
- STEFFAN Dan
- STRUBEL Dominique-Paul
- TANGUY Jean-Pierre
- THOMAS Ghislaine
- TITUS CARMEL Gérard
- TOBIASSE Théo
- TSUZAWA Kaoru
- TURMEL Jean-Paul
- TYSON Matthew
- ULRICH Kjeld
- UNGERER Tomi
- VALADIE Jean-Baptiste
- VERCRUYCE Bernard
- VILLEGLÉ Jacques
- VIVIN
- VOTTELER Jutta
- VRIJS Anke
- VUJNOVIC Mihaela
- WAYDELICH Raymond Emile
- WEIL François
- WEISBUCH Claude
- ZAROU Victor
- ZHOU HAO
- ZIANI Hocine
- ZIEGENTHALER Martina
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Biographie de CORNEILLE Guillaume
A painter and lithographer, Guillaume Corneille, was born in Liège by Dutch parents in 1922. Corneille irregularly took drawing classes at the academy of fine Arts in Amsterdam during the early 1940’s but was self-taught in painting. His first personal exposition was held in Groningen at the age of 24.
Soon after World War II, Corneille and two other Dutchmen, Appel and Constant, founded the “Experimental group” of the Danish artist Jorn. Together with the Belgians Dotremont and Alechinsky, these two groups served as foundation of the “Cobra Group” which was a concentration of Copenhagen, Bruxells and Amsterdam (Co-Br-A). The critique and the existence of the Cobra group during the following years of its organisation, was very important for Corneille.
In 1950, Corneille participated in the “Dazzling Hands” group in Paris and the May Salon for his first time. from then on, he was regularly represented. in 1950he made a trip to Hoggar which importantly influenced the later development of his work. The numerous canvases recall the mineral world, in which he found sudden awareness of the desert, such as in “paysage aux fossils”, and the triptych of”Rocher blanc”, “Terre brulée”, “La forêt de pierres” etc. Later on Corneille’s participation in collective manifestations multiply and with a few significant exceptions, he becomes tired of them adding up. He visits the U.S.A. in 1958 and is very impressed by New York which inspired a collection of drawings.
The transition between landscape scenery and cities is notable in Corneille’s paintings. The artist found his references better in the popular arts rather than in the cultural heritage of the past. Corneille, like often with the artists deriving from the Cobra group, does not stop the distinction between representation and abstraction.